Graham Webber Demonstration Wednesday, November 13th

This Coming Wednesday we have Graham Webber, a renowned Norfolk artist and a member of the Royal Institute of Oil Painters, coming to demonstrate for us a scene of the Norfolk Coast in oils.

The demonstration will be held at the Cedar Centre, Castle Road, Rayleigh, SS6 7QF. guests are very welcome at a small charge of £ 4, please arrive promptly at 7 pm for a 7.30 pm start.

To find out more about Graham click on the link to take you directly to his website,  https://www.grahamwebber.co.uk, I think we are going to be in for a very interesting and informative evening, I look forward to seeing you there.

Report by Colin Mossman

 

 

Heather Miller Demonstration Wednesday25th September

This Wednesday coming we have another great demonstration to look forward to of a Bluebell Wood in acrylic by Heather Miller. The demonstration will take place at the Cedar Centre, Castle Road, Rayleigh, usual times, at 7.00 pm for a 7.30 pm start.

Inspired by a love of nature, Heather’s aim as an artist is to engage and intrigue the viewer and draw them into her work.  She mindfully explores colour and light in each painting, conscious of how these elements lift the spirit and encourage connection with the subject.

The seasons, water and changing light all provide rich influences on her art. Her paintings are an emotional response to what she sees rather than a facsimile encouraging the viewer to find something different each time they look.  She works chiefly in acrylics and acrylic inks which lend themselves to working quickly and expressively with a glorious array of colours.

Although Heather enjoyed art from a young age, she started to paint seriously when she moved to Abu Dhabi with her husband and young family.  The change of culture and scenery awakened her creative spirit and she knew she had to paint.  The journey continued when she moved back to the UK and she met her teacher and mentor Caroline Hulse, who challenged, inspired and encouraged her to take risks and grow as an artist.

As well as working as an artist Heather is keen to spread the word about the versatile medium of acrylics. She demonstrates her working process to art societies around the UK, through Art Profile and also teaches impressionism and abstract workshops regularly throughout the year at the Joe Daisy Studio in Reading.

She has previously exhibited paintings and life drawings at Contemporary Art Fairs, Art Shed, The JoeDaisy Studio, The Maynard Gallery, Gravelly Barn, Art Van Go and various art shows.  She studied at the Open College of Art and has had many wonderful teachers who have helped and inspired her along the way including the brilliant Caroline Hulse FRSA.  She has recently written for ‘On your Doorstep’ Magazine, issue 7, explaining her creative inspiration.

To see more of heather’s click on the link to take you to her website https://www.heathermillerpaintings.com

Lastly a reminder that subscriptions are due this month, see you on Wednesday.

 

Sharon Hurst Demonstration 10.07.2019

We were promised an interesting evening and we weren’t disappointed. Sharon gave us an extremely informative and enjoyable demonstration of a young woman in watercolour. Sharon has a great sense of humour and kept us entertained with her unique way of explaining how she builds up paintings.

I won’t go into detail of her demonstration except to say that she used 140lb Bockingford Paper (Sharon’s favourite paper), together with Winsor Newton and Shin Han Watercolours. However, for those amongst you who would like to try her method, full details of her colours together with tutorials may be found on her website: http://www.sharonhurst.co.uk/. Go to the bottom of her Home Page and click on the link to Tutorials and Videos. Sharon also has a Facebook page which is ‘Sharon Hurst Art’

 

From all of us Sharon, thank you for an excellent evening, one we won’t forget for a long time.

Text and photos by Colin Mossman

 

Sharon HurstDemonstration Wed’ 10th July

Yes, this coming Wednesday we have Sharon Hurst, the well-known fantasy artist, giving us a demonstration. Sharon, as many of you may know, has made many TV appearances for the SAA, to take a look at her work, click on the link to her webpage: http://www.sharonhurst.co.uk/, looks like we will be in for a very interesting evening.

As usual, guests are welcome for a small fee of £4, Venue as always; The Cedar Centre, Castle Road, Rayleigh, SS6 7QF. Time: 7 pm for 7.30 pm start.

Look forward to seeing you there.

 

Stephen Cheeseman Cyclists in oil pastels.22.05.2019

Stephen gave us an interesting demonstration yesterday evening, painting a picture of cyclists in oil pastel on coloured paper. The paper he used was Canson Mi-Teintes and the oil pastels for the main painting were Sennelier, although he did use Pentel oil pastels to do the initial drawing. Stephen explained that cheaper oil pastels (like the Pentel pastels), tend to very hard in use and the pigment quality is lower, in his opinion, Sennelier oil pastels are the best as they are very highly pigmented and being softer, release their colour very easily.

Stephen made up his painting from a set of three black and white photos, his preferred method when producing his paintings, as he likes to choose his own colours to make his paintings his own.

Below are a series of photos that show the progression of his demonstration from start to the finish of his impressionistic picture of a group of cyclists racing in France.

Thank you for a very interesting evening, Stephen, we all know a lot more about oil pastels and their use than we did before.

 

Report and photos by Colin Mossman

Carole Massey Demonstration Wednesday10th April 2019

 

We had an excellent turnout last night for Carole Massey’s demonstration and I don’t think anyone was disappointed as Carole treated us to an excellent evening, explaining her method of working as she produced a vibrant example of a cockerel using pastels.

Carole favours Schmincke, Sennelier and Unison pastels because they are soft and very high in pigment content. She augments her pastels with Derwent pastel pencils, she explained that the pastel pencils enable her to do the initial drawing and to use for small details.

The surface she used for her painting was a grey Mi-Teintes that Carole finds an excellent surface for her pastel work.

It was very interesting to see her method of working especially that she leaves a section at the side of the painting to try out the colours, to ensure she selects the correct one.

I know many of us have never tried pastels but after watching Carole I think there will be more than a few trying out this medium, which includes me.

Thank you, Carole, for an extremely interesting, informative and enjoyable evening, we look forward to seeing you again.

For those of you who would like to know more about Carole and her work, check out her website at http://www.carolemassey.com/

Picture and report by Colin Mossman.

 

John Glover Demonstration ‘A portrait in Oils’ Wednesday 14th November.

We had a very good turnout for John’s demo’ on Wednesday evening, with the hall being filled almost to capacity, it was good to see so many attend and always pleasing for the demonstrator.

Although arriving a little late, (traffic as usual), John soon made up for it and got into his stride quickly.

The Model for the evening was Stewart Grove, who I might add did a sterling job of sitting still for two hours whilst we all watched him being painted.20181114_200052_001

John started on a pre-prepared canvas of a light brown acrylic wash so that he could get straight on with blocking in the main elements of Stewart’s face. John was using his tried and tested palette of colours which are, Viridian green, French Ultramarine, Burnt sienna, Burnt umber, Raw umber, Alizarin crimson, Titanium white, Yellow ochre and Raw sienna.20181114_201031_001

John explained that he would normally take several days to paint a portrait, gradually building up layers, letting them dry, slowly refining the painting until he achieved the result he required, quite a lengthy process. However, as he only had around two hours the painting of Stewart would have to be done ‘alla prima’ ie; wet on wet. Notwithstanding this, he did an outstanding job as we gradually saw Stewarts face emerging from John’s brushstrokes until finally, we were looking at a very good likeness.

enhanced Thank you, John, for a very entertaining, interesting and enjoyable demonstration and we look forward to when you may demonstrate for us again.

To see more of John’s work, visit his website at http://www.johngloverportraits.co.uk/.

John runs regular workshops in Granchester, Cambridge, contact details are on his website.

 

Report and pictures by Colin Mossman.