What a brilliant demonstration Paul gave us Wednesday last, it really was most interesting.
Paul had already prepared a board with acrylic gesso and a deep purple background, he had also use a texture paste for the outline of the buildings for the cafe scene.
Before he started painting, Paul showed us his range of palette knives that he would be using, he explained that he rarely uses brushes these days, and the few that he does use are quite small and short, more like very small palette knives. He went on to show us the type of acrylic paints he uses and also, which was very interesting, he passed around a board that had the various types of texture pastes that he employed and the effect they gave when painted over.
Paul’s colours were: cadmium orange, yellow ochre, and white. The orange and yellow were applied neat at first then, by adding a little white to each colour he and putting over the base coats, he increased the effect of the stonework. Cerulean blue was used for the shutters on the windows and to give the appearance of glass he applied dabs of turquoise.
Small details such as tables, stairs railings, and people, he then included with a small brush and the edge of his palette knife. Finally, after he was happy with the result he removed the masking tape from around the edge of the board to reveal a very convincing looking cafe scene.
Thank you, Paul, for giving us such a very interesting and informative demonstration, which we all enjoyed and learned from.
Report and pictures by Colin Mossman
This Wednesday (26th) we have a demonstration by Paul Vousden, he will be painting a cafe scene in acrylic.”Paul trained as a sculptor and silversmith at Colchester School of Art and Birmingham Polytechnic, when he twice received the Johnson Matthey award for design. In 2011 Paul concentrated on drawing and painting in Acrylic, particularly figurative work and cityscapes, and has developed a distinctive style abstracting form through colour and light suggestive of his sculptural background.
Paul paints regularly from life models and his distinctive style led to successful solo exhibitions in 2012 and 2013, entitled ‘Life and Landscape’ and ‘Life in a Red Chair’. Paul is a member and exhibitor at the Society of East Anglian Watercolourists’ winning the Rosemary Brushes Prize at the SEAW 2013 closed exhibition and in 2013 was elected to membership of Suffolk Art Society.Paul’s work based on studies of Cafe culture from trips to Southern France and Italy featured in a solo Exhibition at the Aubrey Gallery in 2016.
Paul was (until October 2017) Artist in Residence at Quay Place, Ipswich.
The demo’ will take place at the Cedar Centre, Castle Road, Rayleigh, 7 pm for a 7.30 pm start.
Guests are welcome for a small charge of £4, look forward to seeing you there.
Today we all said our farewells to our dear friend John Newton. Although John , Cathy’s husband, was not a member of our art group, he was always there to be our quiz-master at our functions when required, especially at our fish and chip suppers. John also, until recently, ran this website for us making sure we could all keep up to date with forthcoming events and reports of our demonstrations and exhibitions.
John we really will miss you.
John Newton 1946 – 2018
Tonight at the work shop we shall be showing the film ‘Loving Vincent’. For those of you who have not seen or heard of this film, it is a rather special animation.
The film was made by using over 100 artists to paint more than 65,000 (yes that is correct) oil paintings and it tells the story of how Vincent’s postman asked his son to deliver a letter that he found two years after Vincent’s death, to Theo, Vincent’s brother).
A lot is fictional, however, the film is amazing and well worth viewing, so look forward to seeing you at the Cedar Centre this evening. 7 pm for a 7.30 pm start.
I have to add that there will be no charge for tonight as it is a commercial film, so unfortunately it is for members and their spouses or their very close friends only.
Well, despite the football, we had good attendance at David’s demonstration last night which we all enjoyed.
David’s subject this time was a barn owl in acrylic, he had prepared his painting beforehand by drawing the owl and painting in the background. The board he used was MDF that had been prepared by painting several layers of white acrylic gesso, sanding in between each coat with a fine sand paper to give a smooth surface on which to paint.
He started to build up the painting by using thin layers of acrylic paint, he explained that, for his style of painting, if used too thick, the paint would leave brush marks and hide the under drawing, if too thin and watery, the acrylic would eventually breakdown the acylic polymer and flake. He mixed his paint so that it was a thin creamy consistency so that each layer was quite transparent.After putting in certain dark shadows under some of the feathers he began to block in the owl body and the log it was standing on with a dark but transparent undertone to give form to the picture. Next he added progressive thin layers to finally give life to the owl, although he said normally it would take him several hours to do justice to the painting so he had to make a few shortcuts to finish in time. However, shortcuts or not, I’m sure you will agree, the finished article is a really beautiful picture.So thank you David for a really interesting, inspirational and informative evening from which I know we all learnt a lot, we look forward to the next time you are able to visit.
Pictures and text by Colin Mossman.
This coming Wednesday (11th) we have a demonstration by David Hyde. David, as many of you may know, has done a lot of work for the SAA and is a very accomplished artist. He has demonstrated for us before and you may remember he produced an amazing picture of an owl in acrylic, so if that is anything to go by, we should be in for a really good evening.
The venue, as always, The Cedar Centre, Castle Road, Rayleigh. 7pm for a 7.30 start, guests are welcome at a small entry fee of £4. See you there.
The evening was everything we had expected it to be, Sue is a very accomplished artist and never fails to give to give an interesting and informative demonstration.
Sue had already drawn out the scene on 140lb pre stretched Not surface paper, made up from two of her own photos, of a Thames barge at Maldon. Working almost vertically on her easel, (not the ideal way to paint in watercolour), she laid on the sky wash of Winsor Blue, Ultramarine and Raw Sienna and allowed this to dry. Gradually she built up the picture, Ultramarine and Winsor blue reflecting the sky were used for the water and muted colours for the background trees and buildings. The sky which was now dry, allowed Sue to put in the sails using a mix of Light Red and Burnt Sienna
adding a darker tone for the shadow area and give the sails form. the water was given a further wash of deeper tone before she put in the details of the boats.
What made a really refreshing change in this demonstration was the fact that Sue managed to paint almost the entire picture whilst standing to one side so everyone could see the picture as it evolved. Sue did say that she would have to complete the finer details later in her studio and below is the finished article. Thank you Sue for a great evening and we look forward to the next time that you are able to demonstrate for us.
Sue will be exhibiting in the forthcoming Burnham and Chelmsford art trails, both on at the same time, details of the Burnham Art trail are as follows:
Report and photographs by Colin Mossman